
Earlier today,
I was talking about Sony which started to roll down the "consumer experience" road with their marketing approach. I was hoping to see if they would act consistently on this decision.
Well, it appears they are. In concert with different recognized british art insitutions such as
BALTIC,
the V&A, the
ENO,
Sadler's Wells and the
BFI, they have put together
The PlayStation Season, a series of interactive artistic performance installations.As they describe it on their site, "
The PlayStation Season will create unique content that explores the PlayStation brand and its available platforms (PS2, PS3, and PSP). The contents produced across this programme of events will offer experiences beyond just being spectators, and or geographical boundaries. The content derived from these programmes of events is to be consumed and shared and passed on. In each execution there is not a static art exhibition experience. The audience will be encouraged to participate (for positive outcomes) - haha, funny they mention - in the exhibits. In many cases, audience participation is integral to the display."This further reinforces their "Live in your world, play in ours" ideology, and their latest "play b3yond" PS3 capitalization. Check out their first installation, titled "Volume", which is made of a series of vertical light columns that interact with visitors' movements, producing a display of light, colors and sound. 
Reports the
CoolHunter:
"The collaboration is between lighting designers United Visual Artists (UVA) and Robert Del Naja (aka 3D) of Massive Attack and his long-term co-writer Neil Davidge (as part of their music production company, one point six)."
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Strange but beautiful.
I'm not an art critic -- I usually trust my emotions and not my brains, when I consider art. I cannot explain why some of the things I like, I like. Or if I do, the words won't truly translate what I feel. And this is especially true when I look at the Bathwater collection: The Art of James Brathwaite. Disarming simplicity through naive drawings that tickles your Brain Organ of Oddity Perception (the BOOP.) You know that little twitch in your brain that goes on whenever you look at something paradoxal, weird, or otherwise unreasonable by normal standards? I like that little organ. It's the organ that makes me appreciate circus acts, freak shows or morbid yet artful depictions. When I see these, *boop*. Same thing happens when I mix a balsamic vinegar with olive oil, and dip cheese bread in that. *boop*.
James Brathwaite's art has that effect on me. I look at it. *boop* goes on. I like his semi-narrative, naive illustration style. I like the strange correlations he creates, and trying to figure out the crazy idea behind each illustration. I like art that speaks. And his art really has the gift of gab.
As reported on his site, James is a "semi-hairless ape, who currently lives in his cave in Montreal". His illustrations have been featured in many magazines including Dose, Warrior magazine, Maisonneuve, thefanzine.com and he's currently working on a book of medical inaccuracies -- I like the idea, coming from his style I'm sure it'll be great -- as well as an animated short about John Lennon.
I'm not going to ramble on my moments of booping, as reading this might actually make you go *boop*. But I suggest you experience it yourself.
Leonard Cohen eating a Hot Dog. So true, folks, so true.
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Tuesday, October 31, 2006 by
David Claude
, under
adkrispies,
ads,
advertising,
art,
artist,
creative,
illustration,
mark ryden,
painting

Mark Ryden is more than a genius painter. Mark Ryden is a period in art. You have classicism, neo-classicism, impressionism, cubism, abstraction, surrealism, Mark Ryden, pop art, dadaism, and whatever else. That's how it is, friends.

Mark Ryden has this carefully crafted and balanced universe inside his mind, which he is currently mapping, painting by painting. He deftly mingles with themes of the beautifully macabre, the childish, the absurd, the grotesque and the fragile, in the same delicate way that a swiss maître horloger would craft the elaborate machinery of a miniature clock.
Each scene, each character he creates, is part of an odd story that one could never tell - yet a story nonetheless. When looking at his paintings, you cannot do anything but admire each of the incoporated elements: whether it's joy, fear, sadness, the stark austère pause of a bleeding child inside a 1800's portrait or a strange animal crying in a little girl's hand in a wistful countryside scene -- for a few minutes there, Mark Ryden owns you.

Here's an excerpt from Mark Ryden's website : "Upon first glance Ryden’s work seems to mirror the Surrealists’ fascination with the subconscious and collective memories. However, Ryden transcends the initial Surrealists’ strategies by consciously choosing subject matter loaded with cultural connotation. His dewy vixens, cuddly plush pets, alchemical symbols, religious emblems, primordial landscapes and slabs of meat challenge his audience not necessarily with their own oddity but with the introduction of their soothing cultural familiarity into unsettling circumstances. Viewers are initially drawn in by the comforting beauty of Ryden’s pop-culture references, then challenged by their circumstances, and finally transported to the artist’s final intent – a world where creatures speak from a place of childlike honesty about the state of mankind and our relationships with ourselves, each other and our past."
Mark Ryden has produced some album covers for the Red Hot Chili Peppers ("One Hot Minute") and Michael Jackson ("Dangerous"), and even has a theme CD, appropriate for the contemplation of his "blood" series, or something like that (Music For Mark Ryden's Blood, on Amazon).
If you want to buy a great book about Ryden, I recommend The Art Of Mark Ryden: Anima Mundi, available on Amazon.
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Tuesday, September 05, 2006 by
David Claude
, under
adkrispies,
ads,
advertising,
art,
artist,
graffiti,
street art,
viral marketing,
word of mouth

Streetsy. Daily streetart. With searchable engine. You can input keywords like "Scarekroe", "Neckface", "Obey", and Streetsy will come up with a lot of urban somethings. It's that good. I never thought someone would come up with the concept. I find it purely delightful. On a side note, the doctor said I should not use the word "delightful" more than once a week, or I might have to watch many episodes of "Magnum P.I." just to regain my manhood.
Speaking of 'hood. Streetsy. Check it out.
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Tuesday, September 05, 2006 by
David Claude
, under
adkrispies,
ads,
advertising,
agency,
art,
artist,
illustration,
inspiration tuesdays,
serge seidlitz
I don't know Serge Seidlitz personally, yet I'm sure I could draw a quick portrait of the man: loves confusion, grotesque and absurdity, mixed with flavourful, colourful and vibrant illustration. Loves homemade stuff. Probably has been smoking a bong or two, if only in dreams, with people like Andy Warhol, Terry Gilliam, or anyone working at Rolling Stone magazine - all that while listening to Liz Phair, White Stripes, The Rolling Stones themselves and The Kinks. He must have a crazy sense of humor. His mind must be like this huge toybox in which you throw stuff as kid, and re-discover when you're 30 or so. But like, everyday.
Of course, this is all subjective. But what's not is the work this man produces: you can feel creativity bursting from every stitch, everywhere in there. He's done stuff for MTV, Cingular, Computer Arts, Fused Magazine, Honda, The Cartoon Network, and more. I just look through his stuff and it gives me the profound need to DO MORE.
I call that brain food.
Visit Serge Seidlitz's place here.
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Tuesday, September 05, 2006 by
David Claude
, under
adkrispies,
ads,
advertising,
agency,
art,
creation,
creative,
fonts,
illustration,
inspiration tuesdays,
typedrawing
This is simply awesome. At TypeDrawing, you get to create your own crazy bauhaus/80s design type drawing, using a simple and intelligent interface. This is the perfect example of "creating an artistic experience" for the user. In advertising or in art, I salute things that create experiences for people, that draw people inside new horizons they didn't expect to see, and help them connect more neurones together for increased thought harmony. Wow. That sounded good. And I didn't smoke.
Create your own piece of typographic art! Visit TYPEDRAWING.
This is what internet is about. TV shows you can manipulate.
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Tuesday, September 05, 2006 by
David Claude
, under
adkrispies,
advertising,
art,
artist,
design,
illustration,
inspiration tuesdays,
virtual hitman
Today is officially Inspiration Day : where, for no particular reason, I celebrate talent in design and art direction by showing some great work from around the world. You might also consider this some sort of aspirational endeavor to push forward every people's ideas and visions on art and communication.
Without any further oscar-emcee comments, let me start with Virtual Hitman Designs. I actually stumbled on this site by pure chance, and I must say the work there is nothing short of inspirational. Urban themes, unknown faces, consumerism themes, expressive gestures upon silhouttes - sometimes dark, sometimes beautiful. All this composes the oeuvre of Virtual Hitman Designs. To paraphrase a great critic of this first 21st century, mr. Peter Griffin: "This is freakin' sweet".
Check out Virtual Hitman Designs here.


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Monday, August 28, 2006 by
David Claude
, under
adkrispies,
ads,
advertising,
agency,
art,
performance,
projection,
viral marketing,
word of mouth
I like this project. I think there's a crazy advertising idea waiting to happen here. Karolina Sobecka had this idea of cars projecting videos of runnings animals, whose speed depends upon the speed of the car. What's more, the projector detects if there's a moving object (pedestrian or else) on the course, and alters the image to that of another animal (symbolically corresponding to the pedestrian's "avatar"). Inspiring. Check out the webpage here (featuring a Quicktime showing the whole thing in motion).
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